For nearly twenty five years, the Resident Evil films have grown from a modest videogame adaptation into one of the most enduring presences in modern action horror. What began as a modest early 2000’s videogame adaptation grew into a long running cycle of industrial dread, apocalyptic spectacle and globe spanning chaos. The series has survived changes in audience taste, shifts in horror fashion, the rise of prestige titles, the arrival of streaming dominance and the recent re

The weekend delivered a buoyant and much‑needed upswing, with the top fifteen combining for £11,454,509. That marks a 36% rise from last weekend’s muted frame and places this session as the 28th best weekend of the year.

The weekend delivered a sharply diminished frame, with the top fifteen combining for £7,350,017. That marks a severe 77% drop from last weekend’s elevated totals and places this as the second weakest weekend of the year. A trio of new releases entered the chart, though none were able to counterbalance the steep declines across the board, while several major holdovers continued to inch toward notable all time placements.

The market delivered a steady frame, with the top fifteen combining for £13,038,855. That is down 1% from last weekend and places this session as the 23rd best of the year. A cluster of new releases added breadth across multiplexes and specialty venues, while several major holdovers continued to climb the all time charts and deliver notable late run resilience.

Across six releases and more than a decade of shifting horror tastes, the Insidious franchise has remained one of the most quietly persistent fixtures of the UK market. It has survived the rise of prestige horror, the surge of microbudget viral sensations, the analogue creep of Backrooms style storytelling, and the new wave of digital folklore that powers titles like Weapon and Sinners. Through all of this, Insidious has held its place as a dependable theatrical draw. It is a

The chart eased into a quieter frame, with the top fifteen combining for £13,171,842. That is a 21 percent decline from last weekend and places this as the 21st best weekend of the year. Even with the softer market, several new releases added fresh movement while major holdovers continued to build notable all time placements.

The weekend delivered a lively but sharply reduced frame, with the top fifteen combining for £15,913,210. That places this weekend as the 11th best of the year, down 39 percent from last weekend’s elevated preview supported totals. A trio of new releases added fresh texture to the chart, while several major holdovers continued to carve out notable positions on the all time rankings.

A fourteen year ascent built on comic clarity, family appeal and the unstoppable cultural force of the Minions